The 75th Anniversary Season

The Vallejo Symphony in the Press


Aged to perfection
Vallejo symphony celebrates 75 years of musical magic
By RICH FREEDMAN/Times-Herald staff writer
September 22, 2006

VSO fetes its 75th
Vallejo orchestra leaders hope to build the audience for classical music
By Richard Bammer/Features Writer, The Reporter
September 22, 2006


Symphony enlists antique cannons for '1812 Overture'
By RICHARD FREEDMAN/Times-Herald staff writer
June 30, 2006




Aged to perfection
Vallejo symphony celebrates 75 years of musical magic
By RICH FREEDMAN/Times-Herald staff writer
September 22, 2006



There have been make-overs along the way and a few new wrinkles, not to mention a major facelift.

But, at 75, the Vallejo Symphony Orchestra looks pretty darn good.

"And, with community support, we'll stay around until we're 100 or more," said a confident Altheia Clumpner, a 20-year board member and one of the symphony's biggest fans.

The milestone season begins Saturday as maestro David Ramadanoff conducts Beethoven with guest piano soloist Norman Krieger.

The 8 p.m. concert at the renovated Hogan High School auditorium includes a "Know the Score" pre-concert talk at 7 p.m. by Ramadanoff, who many believe is the key to the symphony's stellar Bay Area reputation.

"The best thing is when we got Ramadanoff," said 83-year-old bass player John Kolarik, a Vallejo symphony anchor since 1958.

Kolarik was on the conductor selection committee in 1983, that selected the award-winning Ohio native.

"He was by far the best," said Kolarik, one of only a few of the symphony musicians who lives in Vallejo.

It's a tribute to the conductor that so many musicians will travel a good distance to play in Vallejo, said Clumpner.

"It's his demand for perfection that I think they appreciate," she said. "A lot of them will play here because of him."

The Vallejo Symphony is the state's second oldest. The Pasadena Symphony is 79 this year.

"I think it's wonderful. We've all worked very hard to get here," said Anne Ligda, a symphony musician since 1974 and board member for 14 years.

"The musicians here are just as talented as they can be," Ligda added. "They're dedicated to this orchestra and to David. It's a wonderful celebration that's taking place."

The devoted Ligda was at Tuesday evening's rehearsal despite recovering from a broken foot.

"I can play. I can drive," she said. "I just can't carry the cello."

It's an instrument Ligda has enjoyed since her school in Oklahoma had a special visit.

"I've loved the music all my life," she said. "When I was in grade school, the Oklahoma City Symphony came to do a youth concert. I came home and told my mom, 'I want to play the cello.' She said, 'Well, honey, if you tell me what it is, I'll get you one.' So I've been playing since the fifth grade. It's been a long time."

Ligda is confident the Vallejo Symphony can make it to 100.

"We're here and we're going to stay," Ligda said. "Dedicated musicians. Dedicated board and dedicated subscribers. I do think we have to reach out to all the gray-headed sponsors and we have to reach out to young people to get them interested in classical music."

Ligda said "he (Ramadanoff) knows the score. He knows the interpretation. He has perfect pitch. If you play a wrong note, he knows it. He may not comment, but he knows it. And often he does comment on it. He's fabulously musical."

Though it's a professional orchestra, Kolarik said the enjoyment ventures far from the cash.

"It's fun. I play because it's fun," he said. "I've learned more about music since I've been playing than when I studied it in college. It's a good orchestra. People are good. And David's brought in some wonderful players." Exactly, echoed Clumpner.

"When you sit out in the audience and look up at that organization and listen to them, you have a warm feeling, thinking, 'I had something to do with all those players,'" she said. "And we have some wonderful support from our community."

If you go . . .

What: Vallejo Symphony

When: 8 p.m., Saturday

Who: Guest soloist, pianist Norman Krieger

Where: Hogan High School Auditorium, 850 Rosewood Ave., Vallejo

Tickets: Adults $35, Seniors 62 and older $30, students $10

Contact: 643-4441 or www.vallejosymphony.org
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VSO fetes its 75th
Vallejo orchestra leaders hope to build the audience for classical music

By Richard Bammer/Features Writer, The Reporter
September 22, 2006


Karen Clare of Vallejo thinks her city's critically acclaimed symphony, the state's seventh oldest orchestra, is "an integral part" of its municipal identity.

Without a doubt, the 65-member orchestra has considerably boosted Vallejo's cultural life in recent years, said Clare, a past president of the symphony board and a current board member.

As the symphony embarks on its 75th season Saturday, even with occasional spotty attendance at its four annual concerts, it remains a cultural and economic force in Vallejo, she said.

"All the Realtors realize that symphonies and orchestras are important parts of a community," Clare said in a telephone interview Monday.

Still, she conceded, support for the arts in general, much less the symphony, has been noticeably "mixed" in the past few years. That is not necessarily a reason to sound alarms, she asserted.

While the audience for classical music - in Vallejo and elsewhere in the county and the nation - is largely white, over 50, college-educated and middle- to upper middle-class, the Vallejo Symphony fills a need for those who want it, she said.

"We're going to continue to try to provide" classical music, Clare said. "We're a professional orchestra. We are trying to build our audience."

But that audience, in the last year at least, has not included a Vacaville concert. The Vacaville Concert Society, for many years a sponsor of a springtime Vallejo Symphony performance, stopped its sponsorship because, said Clare, Vacaville Performing Arts Theatre managers raised the hall's rental rates beyond a typical break-even point for average concert-attendance rates. (For the past five years, average attendance at the spring concert was estimated to be 200 to 250 in the 500-seat theater.)

"They raised their costs, so the concert society dropped us from that schedule," she lamented.

The value of live concert performance and music instruction can be seen in national studies that show students enrolled in music and band classes tend to make better grades than their nonmusical peers, Clare said.

She said music appreciation fosters continued growth of the next generation of classical music and jazz fans; however, without exposure in elementary, middle and high schools, "their chances of getting involved are less," asserted Clare.

Her concerns have long been voiced by many who see the audience for classical music dwindling in this era of popular music downloads from the Internet and the dearth of arts programming on cable TV networks. But there are just as many who note that the total
   
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number of classical music downloads from the Internet hovers around 12 percent, more than three times the amount of fans who purchase classical music in stores.

For Clare, the Vallejo Symphony, like other orchestras everywhere, is fighting the image that classical music is elitist or for the highly educated. Nothing could be further from the truth, she said.

"One of the things I always hear is, 'I don't know what to wear to the symphony'," she said. "They ought to go to the San Francisco Symphony," where the audience, from spiky-haired young hipsters to seniors using walkers, is dressed in everything from denim to tuxedos.

Classical music - generally defined as the standard repertoire of 18th- and 19th-century Western European compositions - has never been easy to market, Clare agreed, adding, "You have to sell it as an art form that everyone would enjoy. Music is all related (to classical forms, like the sonata-allegro) even rock 'n' roll."

As for the selling, conductor David Ramadanoff, who has wielded his baton for the past 25 years, includes preconcert "Know the Score" lectures, designed so the classical music neophyte can learn and appreciate, in down-to-earth language, what he or she is about to hear that evening. Saturday's talk will be about the selections for the all-Beethoven program, including Symphony No. 5.

During the decade ahead, Clare sees the Vallejo Symphony faced with a struggle to survive, as it has in recent years, only to emerge on relatively sound financial footing. The audience for classical music will continue to grow as Solano County's cities grow - and as the tastes of aging baby boomers and Gen-X'ers begin to change naturally, she asserted.

The Vallejo Symphony: A Brief History

The genesis of the Vallejo Symphony, seventh oldest of its kind in California, began in the early days of the Great Depression, when a small group of community arts leaders wanted an orchestra to showcase the talent of local musicians.

On February 21, 1931, a 60-piece orchestra, conducted by Julius Weyland, made its debut at the newly dedicated Veterans Memorial Building. Besides Weyland, George Trombley led the musicians during the early years.

Concerts became fewer during World War II. In 1946, the symphony was revitalized under the auspices of the Vallejo Recreation District and the Adult Education Department. Orley See served as conductor. In 1951, Virl M. Swan took the conductor's baton to lead the orchestra until 1961, when George Wargo began his 21-year career as music director and conductor.

As the orchestra's reputation increased in the 1960s, symphony leaders launched a subscription concert series and the board of directors began to raise money.

During the following decade and into the 1980s, artistic goals for the orchestra were set. The orchestra's sound and quality improved when David Ramadanoff, a former associate conductor of the San Francisco Symphony and winner of the 1980 Leopold Stokowski Conducting Award, accepted the position of music director/conductor.

Today, the symphony performs a four-concert subscription season and an annual summer pops concert every Fourth of July.

As a commitment to the musical experience of children, the orchestra, each spring, performs a popular series of intimate, entertaining and educational miniconcerts in elementary schools countywide.

- Richard Bammer

VALLEJO SYMPHONY

8 p.m. Saturday

Hogan Auditorium

Vallejo High School 850 Rosewood Ave.

Vallejo $10 to $35 643-4441

www.vallejosymphony.org
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Symphony enlists antique cannons for '1812 Overture'

By RICHARD FREEDMAN/Times-Herald staff writer
June 30, 2006


Any symphony can light candles on a cake for its 75th birthday.  The Vallejo Symphony is taking its diamond anniversary one extra step.

Actually, five extra steps.

Thanks to a suggestion by publicist Tim Zumwalt - and some paperwork - maestro David Ramadanoff and his musicians will have Tchkaikowsky's "1812 Overture" culminate with 17 shots from five honest-to-goodness cannons near the end of the July 4 pops concert.

"We're starting the season off with a blast," said Zumwalt, who witnessed a similar "1812 Overture" rendition with cannons by the Napa Valley Symphony several years ago over the Napa River.

"It was pretty wild," he remembered.

So impressed, Zumwalt kept it under his hat until the right moment.  The 75th anniversary of Vallejo's celebrated symphony was that moment.

"This is our best opportunity," Zumwalt said.

Because it is post 9/11, Homeland Security had to give clearance for the cannons, he said.

Fortunately, the FBI declared the cannons antiques "and are in no danger to national security," Zumwalt said.  The Vallejo Fire Department and the Coast Guard also cleared the request.

The five cannons, manufactured by Krupp Works in Germany about 100 years ago for the Siamese Army, are owned by private individuals who have volunteered their services for the event, "cannoneer" Richard Spear said.

The cannons were declared "obsolete" long before being imported to the United States in 1966, added Spear.

Those attending the pops concert shouldn't be alarmed by the loud blasts, Zumwalt said.  The "bangs" are blank loads with no projectiles.

Because those running each cannon can't read music, Vallejo Symphony guest conductor Pamela Martin will be on hand to assist the "cannoneers."

"She'll point to them when to pull the firing pin," Zumwalt said.

It's not the first time Ramadanoff has been associated with a ballistics-based "1812 Overture," said Zumwalt.  When the conductor was an assistant with the San Francisco Symphony, the overture was featured at a Concord Pavilion concert.

"They didn't have cannons," Zumwalt said.  "What they did was the stage manager had a shotgun and fired into a garbage can."

The concern in bringing in the cannons was financial, Zumwalt said, since the Vallejo Symphony is on a tight budget.  The cannons' cost was offset by Exit Realty/Tognoli & Scott.

"We found a sponsor, so everyone's real happy about it," Zumwalt said.

It's unlikely next year's July 4 Pops Concert will include the cannons.

"I don't think we'll do it a second time.  This is our big chance at it," Zumwalt said.

* * * *


If you go:

What: Vallejo Symphony Orchestra's Pops Concert

When: July 4, 1 p.m.

Where: Behind Vallejo City Library 
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