
Born in Moncofa, Spain into a family of clarinetists and
Zarzuela singers, Jose Franch-Ballester began
clarinet lessons at the age of nine with Venancio Rius Marti, and gave
his first recital in Valencia at the age of sixteen. He graduated
from the Joaquin Rodrigo Music Conservatory in Valencia in 2000.
In Spain he also won First Prize in the Competition of the Cultural
Council of Valencia for three consecutive years (2001-2003) and First
Prize in the “Francisco Hernandez Guirado” Interpretive Soloists
Competition.
Mr. Franch-Ballester was recently selected for Carnegie
Hall’s Professional Training Workshop with Emanuel Ax and Richard
Stoltzman in December 2007. Focusing on the Brahms sonatas, the
week-long workshop concludes with a performance in Carnegie’s Weill
Hall. He is a member of Lincoln Center’s Chamber Music Society
Two, and as a chamber musician is in demand for numerous festivals,
including Chamber Music Northwest (OR), Saratoga Performing Arts Center
(NY), the Skaneateles Festival (NY), the Bridgehampton Chamber Music Festival, Music from Angel
Fire (NM), the Usedomer Musikfestival in Germany, the Verbier Festival in Switzerland, the 2007 Cartagena Festival
Internacional de Música in Colombia, and the 2006 Young Concert
Artists Festival Week at Nexus Hall in Tokyo. He has performed
Messiaen’s Quartet for the End of Time with Arnold Steinhardt,
as well as the world premiere of Jake Heggie’s song cycle Winter
Roses with mezzo-soprano Frederica von Stade in 2004. In February and March of
2008 he tours California as guest artist with the Jupiter String
Quartet.
In addition to his appearance with the Vallejo Symphony, Mr. Franch-Ballester’s concerto soloist appearances include the Santa Barbara Chamber Orchestra, and the Orchestra of St. Luke’s under the direction of Keith Lockhart at Lincoln Center’s Rose Hall, and appearances in his native Spain with the Orquesta de Radio Television Española, Orquesta Sinfónica Castellón, Orquesta Supramusica, Orquesta Cambra XX Teatro Monumental (Madrid), and the Musica de Vall de Uxo Orchestra.
Mr. Franch-Ballester won First Prize in the 2004 Young
Concert Artists International Auditions. He was also awarded the
Alexander Kasza-Kasser Prize, which sponsored his Washington, DC debut
at the Kennedy Center, and the Claire Tow Prize, which sponsored his
New York debut at the 92nd Street Y. He performs numerous
recitals and educational residencies across the United States at venues
including Merkin Hall in New York, the Isabella Stewart
Gardner Museum in Boston,
the La Jolla Music
Society (CA), the Kravis Center
for the Performing Arts (FL), the Washington Center for the Performing
Arts (WA), Missouri State University, Monmouth College (NJ), Western Michigan University, Boise State University, Middle
Keys Concert Association (FL), Harvard Musical Association, and the
Macomb Center for the Performing Arts (MI).
Mr. Franch-Ballester came to the U.S. to The Curtis Institute of Music in Philadelphia, where he graduated in 2005, and studied clarinet with Donald Montanaro and Ricardo Morales and chamber music with Pamela Frank. He is also on the roster of Astral Artistic Services in Philadelphia, having won first prize at their 2004 National Auditions, and performs with the woodwind quintet Astral Winds.
Wes Kenney,
Guest Conductor
October 21, 2007
Conductor
Wes Kenney is Music Director at Fort Collins Symphony Orchestra and
also holds
the position of Associate Professor at Colorado State University, where
he
conducts the University Symphony and Chamber Orchestra and teaches
graduate
conducting. He recently was also named Music Director of Opera Fort
Collins.
Maestro Kenney
recently won
the First Annual Varna
International Conductors Competition in Bulgaria.
His performances, described by reviewers as
"beautiful and exciting," "lively and stylish," and
"first-rate," have resulted in his growing demand as a guest
conductor, resulting in his appearances with the
Buffalo Philharmonic, Savannah Symphony, Acadiana Symphony, Alabama
Symphony,
Dubuque Symphony, New Mexico Symphony, San Juan Symphony, and many
others. Last
season he was Artistic Advisor to the Williamsburg Symphonia in
Virginia.
Prior to
his Colorado appointments, Maestro Kenney was Associate Conductor of
the
Virginia Symphony for six seasons, where he appeared with that
orchestra in
over 350 performances in subscription, pops, family, and young people’s
concerts. In his six years in that position he worked with such artists
as
David Shifrin, Doc Severinson, Norman Krieger, Kathy Mattea, Burt
Bacharach, and
Toni Tennille.
Maestro Kenney was
Co-principal Conductor of the
Oakland Lyric Opera for four seasons and Music Director of the Virginia
Ballet
Theater. Awarded the prestigious Carmen Dragon Conducting Prize in
1992, Wes
Kenney served as Music Director of the Oakland Youth Orchestra for five
seasons. He led that orchestra on a successful tour of Asia in 1995 and
Central
Europe in 1993. Mr. Kenney's programming for Oakland Youth Orchestra
won the ASCAP Award for
Adventurous Programming twice, in 1995 and 1996.
Mr. Kenney has also
enjoyed success directing
from the orchestra pit, having conducted for opera, ballet, and musical
theater. In 2004 he conducted Colorado State University Opera's
production of Albert Herring. He has appeared as
conductor for Taconic Opera's production of Carmen
and Gianni Schicchi, Die Kluge for
Oakland Lyric Opera, Dear World, Into the
Woods, and The Secret
Garden for San Francisco State University, Oliver!
for TOP Theater, Joseph
and the Technicolor Dreamcoat for the University of Southern
California,
and No, No, Nanette for the Masquers
Club. For the latter he won a LAWEE award (presented by LA
Weekly) as music director of the year. In addition he has
conducted numerous performances of The
Nutcracker, Swan Lake, The Firebird,
and many other dance
works. Mr. Kenney will return to the opera theater to conduct Carmen and The Tender Land this season.
Mr. Kenney is a
graduate of the University of
Southern California and San Francisco State University. Additional
studies
include three years as a fellow at the Conductors Institute, several
American
Symphony Orchestra League and Conductors Guild Workshops, and Die Hochschule für
Musik und
Darstellende Kunst in Vienna. His teachers include
Harold Farberman,
Hans Beer, Herbert Blomstedt, Gunther Schuller, Hans Swarovsky, and
Miltiardes
Carides.

Violinists
Marc Ramirez and Olivia Hajioff, who
together form the violin and violin/viola duo marcolivia, have
concertized
extensively throughout the United States, Russia, France, Germany,
Austria,
Switzerland, Monaco, Italy, England, Canada, Mexico and Japan. They
have
performed in many of the world's cultural centers, including New York,
Boston,
Chicago, Washington, Los Angeles, Moscow, London, Tokyo, and Mexico
City. Their
performances have been featured on radio and television broadcasts,
seen and
heard throughout North America, Europe, and Asia. They have performed
chamber
music at the Kennedy Center in Washington DC, the Ravinia Festival in
Chicago,
the Weill Recital Hall in Carnegie Hall, and have performed with
chamber music
notables including Leon Fleisher, Awadagin Pratt, and Edgar Meyer.
Marc and Olivia have been recipients of a
Fulbright
fellowship and prizes from competitions including the BBC Young
Musician of the
Year, the European Violin Competition, and the Henryk Szerying Violin
Competition,
among others. In addition, they were the only chamber music finalists
in the
Concert Artists Guild International Competition in 2000. marcolivia
presents
master classes worldwide and are artists-in-residence at the Tokyo
College of
Music. The duo is on the faculty of Shenandoah University, Las Vegas
Summer
Music Festival, and Dartington International Summer Festival, and are
on the
roster of the Millenium Stage at the Kennedy Center and the Touring
Artists for
the Virginia Commission for the Arts. They appeared with the
Vallejo Symphony during the 2004-05 season. Visit them on the web
at marcolivia.com.